Boiler Room Toronto

A secret location, Toronto hip-hop, beers and blunts, along with a live international video stream was a recipe for greatness last Friday night as the legendary Boiler Room TV streamed its first ever Toronto episode.

Toronto hip-hop heads packed themselves into a boiling hot room with no AC (which didn’t just mean Air Conditioning, but rather, air circulation in general), on the third floor of a top-secret location on Queen Street, to show the world through live stream our flavour and immense talent that we serve up. T Dot heavy spitters such as Rich Kidd, Smash Brovaz, Raz Fresco, The 6th Letter, Tre Mission, Tona, Adam Bomb and more took part in a lyrical cypher, with red cups and backwoods on deck. Each rapper showcased their skill and delivered incredible verses that proved why they belonged on such a heavy-stacked bill.

The room vibed and mingled at the secret guest list only showcase, while DJs Mensa and Skratch Bastid spun some classic records before Rich Kidd turned the vibe up with his always entertaining live performance of his In My Opinion single, “Syke”. Raz Fresco showed the live stream what he could do with a performance of “And It Don’t Stop” as the night went on.

The private party was a testament to the raw talent and laidback, tightly-knit, purely hip-hop vibe the urban community embodies in the city and it was about time the rest of the world was able to witness it.

Stalley Show

Despite the shooting at the Eaton Centre earlier in the day, a young crowd united at the graffiti filled El Mocambo for positive vibes and some real hip-hop this past Saturday night.
The 1s and 2s for the evening were brought by DJ James Redi, who played Maybach Music bangers in anticipation for MMG’s Stalley, who headlined the show, to hit the stage during a concert presented by SmashMouth Entertainment and The Academy.

Eight emcees of The Cypher, such as MC FÜBB, Ill-literate, J Maroon and NewBreedMC opened up the show, each spitting a written verse and taking part in a freestyle cipher, spitting rhymes involving adlib words from small pieces of paper provided by the crew such as Rob Ford, mountain and microscope, each bringing their own unique style and flow to the mix. The freestyles were refreshing, as the concept has become almost extinct due to artists who write and recycle the same bars even during freestyles. MC FÜBB ended their set on a serious note touching on the tragedy that happened earlier in the afternoon, stating, “hip-hop is about peace, love, unity and respect and anyone who tells you anything different is after something else and they’re full of shit,” he rhymed.

Sha Prince and Flex, who make up the group The Antiheroes performed next with NaNa DJing their set and blessed the crowd by inviting D-Sisive to the stage to spit his verse on “Listen Up”. The duo was followed by Vibonics, the six-piece band who ignited the crowd with their vibe truly unique to the music industry, combining hip-hop, rock, soul and funk to create an energy and sound that made it impossible for the audience to ignore.

Up next was the charmer of the Toronto hip-hop scene, rapper/producer Rich Kidd who never fails to hype the crowd and make a fan out of even the biggest screw-face hater. He spit tracks such as “Take It Slow”, “So Much More” and “Back In The Day”, with his distinctive flow and contagious energy.

By the time Stalley reached the stage, all negative vibes from the day were out of everyone’s minds, if only for the time being. The MMG artist humbly made his way to the stage to perform tracks off his Lincoln Way Nights and Savage Journey To The American Dream projects such as “Hammers and Vogues”, “Cold”, “Hercules”, “Everything New” and his verse on Curren$y’s “Address”. His fans rapped along with him, and he continuously thanked everyone for the love; making sure the audience didn’t applaud him, but rather themselves for their support.

Even after leaving the stage, the audience’s applause brought Stalley back for an encore, as he performed “Savage Journey” and “Petrin Hill Peonies”. It was the perfect way to lift the spirit of city after the shock of the day, a solace that only good music and good people can provide.