He Has Risen tour

 Nothing could stop the wave of the He Has Risen tour, headlined by Smoke DZA and Flatbush Zombies that hit up Toronto’s Wrongbar earlier this month.
Smashmouth Entertainment lined up a bill stacked with creative artists, who each brought a whole other level of hype to the amped audience. Toronto’s own Jimmy B set the night off right by proving himself as a performer as he connected with the crowd by using his charm, before The Antiheroes hit the stage, bringing lyricism and their underground vibe to an already energetic night of hype hip-hop.
“These guys really know how to perform and put on a show for Toronto so it was really dope to see,” said Sha Prince of The Antiheroes about Flatbush Zombies & Smoke DZA. The Toronto hip-hop duo opened the show at both the Ottawa and Toronto stops of the He Has Risen tour and enjoyed learning from the other artists on the bill.

“You can learn a lot from watching other people rock a stage. Flatbush really knows what they’re doing and they really had control over the crowd.”
Cashius Green brought a different element and energy to the stage, wearing a one-piece ski suit hanging around his waist and rocking the crowd in a wolf mask at one point, as the venue soaked in his unique energy.
The Brooklyn badasses, Flatbush Zombies, performed tracks off of their D.R.U.G.S mixtape, such as “Thug Waffle”, but started off their set by paying dues to Canada by playing the country’s national anthem. Their set was on a next level of intense as the crowd went insane after the group members admitted they were on acid.

Smoke DZA took over the stage and gave Toronto an unforgettable performance while rocking an old-school Blue Jays jacket. DZA’s grind has been on point this year. The KushedGod, who recently toured North America all summer on the Smoker’s Club One Hazy Summer tour, also put out three projects in one year, Cuz I Felt Like It, Rugby Thompson and K.O.N.Y, before headlining his first-ever tour. He says he was more than happy to hit up Toronto, as it’s one of his favourite cities to perform. “I love performing in Toronto, they always give me un-human-like energy,” he said.

It may be hard to top a year of two tours and three projects, but DZA promises his fans can expect much more from him. “I’m right at the door for doing what I’ve always wanted to do and that is being a star and producing quality projects and material for the world. I think I’m right there,” he said.
It is surprising that Wrongbar is still standing after such an interesting and creative night of high-energy artists. Each artist held his own as it was clear that this new age, rock star lifestyle of hip-hop is here and the artists are taking no prisoners.

Stalley Show

Despite the shooting at the Eaton Centre earlier in the day, a young crowd united at the graffiti filled El Mocambo for positive vibes and some real hip-hop this past Saturday night.
The 1s and 2s for the evening were brought by DJ James Redi, who played Maybach Music bangers in anticipation for MMG’s Stalley, who headlined the show, to hit the stage during a concert presented by SmashMouth Entertainment and The Academy.

Eight emcees of The Cypher, such as MC FÜBB, Ill-literate, J Maroon and NewBreedMC opened up the show, each spitting a written verse and taking part in a freestyle cipher, spitting rhymes involving adlib words from small pieces of paper provided by the crew such as Rob Ford, mountain and microscope, each bringing their own unique style and flow to the mix. The freestyles were refreshing, as the concept has become almost extinct due to artists who write and recycle the same bars even during freestyles. MC FÜBB ended their set on a serious note touching on the tragedy that happened earlier in the afternoon, stating, “hip-hop is about peace, love, unity and respect and anyone who tells you anything different is after something else and they’re full of shit,” he rhymed.

Sha Prince and Flex, who make up the group The Antiheroes performed next with NaNa DJing their set and blessed the crowd by inviting D-Sisive to the stage to spit his verse on “Listen Up”. The duo was followed by Vibonics, the six-piece band who ignited the crowd with their vibe truly unique to the music industry, combining hip-hop, rock, soul and funk to create an energy and sound that made it impossible for the audience to ignore.

Up next was the charmer of the Toronto hip-hop scene, rapper/producer Rich Kidd who never fails to hype the crowd and make a fan out of even the biggest screw-face hater. He spit tracks such as “Take It Slow”, “So Much More” and “Back In The Day”, with his distinctive flow and contagious energy.

By the time Stalley reached the stage, all negative vibes from the day were out of everyone’s minds, if only for the time being. The MMG artist humbly made his way to the stage to perform tracks off his Lincoln Way Nights and Savage Journey To The American Dream projects such as “Hammers and Vogues”, “Cold”, “Hercules”, “Everything New” and his verse on Curren$y’s “Address”. His fans rapped along with him, and he continuously thanked everyone for the love; making sure the audience didn’t applaud him, but rather themselves for their support.

Even after leaving the stage, the audience’s applause brought Stalley back for an encore, as he performed “Savage Journey” and “Petrin Hill Peonies”. It was the perfect way to lift the spirit of city after the shock of the day, a solace that only good music and good people can provide.